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A SERIES OF SOLO EXHIBITIONS FOR REGIONAL ARTISTS

Gerald Mead (inch by inch): A 15-Year Survey


May 1 - July 15
Opening reception
with artist’s tour:
First Friday, May 1, 5:00 - 8:00 p.m.

Gerald Mead has been described by Buffalo News art critic Richard Huntington as a “master of the minute
.” Mead’s well-known, small-scale collages/assemblages are never larger than several inches in any dimension. They are intended to encourage a careful inspection of their complexity and obsessive detail, and to engage viewers in the act of decoding the metaphors and references. His collages utilize an eclectic mix of vintage photographs, historical art reproductions, images from popular print media, and a broad spectrum of found materials – from antiquated photography equipment and magnification lenses to desktop light and display fixtures. The objects take on new and unexpected meanings and explore themes of history, technology, gender, sexuality, and aesthetics.

Catalogue : Gerald Mead’s inch by inch Click Here

EXPLORATIONS: Desire + Balance by Ellen Steinfeld


March 5 - May 16  
Opening Reception
First Friday, March 5, 5:00 – 8:00 p.m.
The Castellani’s large central gallery will highlight Ellen Steinfeld’s work in three mediums, beginning March 5.
Her new series of steel sculptures, she notes, “presents the exciting ability to push, stretch, balance, and juggle solid and linear forms as far as physically possible.” Large painted plates, called “Collect-her-Plates,” offer narratives of clichéd notions of gender and innuendo, disrupting conventional concepts of bliss. A third series, works on paper, consists of metallic fibers, paper pulp, and mixed media; they recall “everyday realms...landscapes of the mind.”     

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For a copy of the Steinfield Brochure  Click Here

 

African American Artists of the 20th Century: Selections from the Permanent Collection
 
March 1 – May 31                      Opening First Friday, April 2, 5:00 - 8:00 p.m.
 Artists included in this exhibition represent important contributions to the history of modern and contemporary art. The works reflect a continual development of issues in the twentieth century, including understanding of identity, intellectual and personal struggles, social and civil stratifications, and the cultural contexts in which the art was produced. The show will feature, among others, work by Romare Bearden, Sam Gilliam, Alvin Loving, Jean-Michel Basquiat, William Cooper, and Alison Saar.Castellani Art Museum

Nicholas Taylor, Photograph of Jean-Michel Basquiat, c. 1979. Collection of the artist.

 

Jean-Michel Basquiat:
An Intimate Portrait

March 5 - May 31                Opening Reception First Friday, April 2, 5:00 - 8:00 p.m.
This exhibition captures the friendship
between artists Nicholas Taylor and J
ean-Michel Basquiat, born under the pulsating lights of New York City’s famed Mudd
Club in lower Manhattan in January, 1979. Twenty-eight historic photographs, shot on one
roll of film, are being exhibited and traveled for the first time in their entirety. The accompanying
 text panels, written by Taylor, contextualize the historical significance of Basquiat – his
eccentric behavior, obsessive hunger for fame and respect – in the vacuous art world
 of New York City in the 1980s, a time when there was little hope of escape...
let alone, survival.

(Click on images to enlarge)

B A S Q U I A T:
Lost in His Own Back Yard
An inspiring lecture on Basquiat and contemporary African American Artist
by Najjar Abdul-Musawwir, Southern Illinois University at Carbondale Professor of Art.

Thursday, April 15, 2004, 4:00 p.m
Free Admission
Get your free Brochure Click The Button Below!!!!!!

 

Click Below to get you free program

Jack Mendenhall, Elephant Parade, 1972, oil on canvas. Seamless:
We Are Not What We Seem
January 20 – April 10, 2004
Guest curator Rebecca Moda has chosen
 an exhibition with a theme of communication
 –the use of icons of self-identification.


To get a Seemless Exhibition Brochure Click Here

Jack Mendenhall, Elephant Parade, 1972, oil on canvas.
Dr. and Mrs. Armand J. Castellani Collection

 

Photos of the Seemless Exhibition at the Castellani Art Museum

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Scenes and Locations

January 20 – March 5
Part of a continuing program of permanent collection thematic exhibitions that examine ways to look at contemporary art, “Scenes and Locations” includes actual scenes and physical sites based on tangible reality. Beyond the physical environment, there are psychological “scenes” based on experiences and revisited through memory. The engaged visitor will bring to each of these works his/her own rich life history.

To get a Scenes and Location  Exhibition Brochure Click Here

 

Photos of the Scenes and Location  Exhibition at the Castellani Art Museum
Click on Pictures below to enlarge

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Easter Egg with Wheat Sheaf Motif, Henria Makowski. Photo: Marion FalleEaster Egg with Wheat Sheaf Motif, Henria Makowski. Photo: Marion Falle

Spring Folkways for Families
 February 29 – April 4
 Opening Family Day
Sunday, February 29, 2:00 - 4:00 p.m.
 This exhibition and workshop series celebrate the coming of spring. Working directly with local artists of Czech, Hungarian, Italian, Polish, and Ukrainian heritage, participants will create palm weaving, sculpted St. Joseph’s Day breads, and four types of Easter eggs. Instructors will share both the history and “how-to” traditions that date to the pre-Christian era, yet continue to play an important role in their communities. A family open house on February 29th will feature artist demonstrations, traditional games played with eggs, and an activity booklet. Workshops are listed in the calendar section

TopSpin
A SERIES OF SOLO EXHIBITIONS
 FOR REGIONAL ARTISTS

Nancy Jurs: Armor Series
 February 1 – April 15
 Opening
First Friday, February 6, 5:00 - 8:00 p.m.
 About this series, Jurs writes: “Where have we been and where are we
 going? Will it be safe there? The Armor Series has grown from decades
 of life transformations. From a constant journey forward, my work has
 evolved full circle – at a new time to an earlier place – with renewed
 form, content, technique, color, and emotion.”

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NU Student Photography Exhibition:
Hungary and the European Union

March 13 - 27 
Opening Reception Saturday, March 13, 7:00 - 9:00 p.m.
A photography show of work organized by NU MBA student Ferenc Nagy will highlight his native Hungary with large photographs of land – and cityscapes. National wines and special pastries will be served at the opening reception. Admission free.

For Photographs of the Exhibition at Castellani visit:
http://photos.yahoo.com/bnagyfecokiallitas

 

Leo Lionni: A Passion for Creativity
November 7, 2003 - February 15, 2004
Opening Reception First Friday, November 7, 5:00 - 8:00 p.m.

Niagara University recently gave an honorary degree to Eric Carle, one of the country’s foremost illustrators of children’s books. Now the Eric Carle Museum of Picture Book Art in Amherst, Massachusetts, will send a traveling show to the Castellani this fall, celebrating the work of another “star” of the field, Leo Lionni. A native of Amsterdam, Lionni was surrounded as a child by the works of Chagall, De Chirico, Kandinsky, Miro, Modigliani and Picasso, among others. He began his career as a graphic designer and, by 1939, he was in New York, as art director of Fortune magazine. It was only later, as a grandfather, that he began to produce picture books for children. Each one has an underlying social message: Pezzetino teaches us that we all have a place on this earth; Fish Is Fish confirms how futile it is to view the world from only one point of view; Alexander and the Wind-Up Mouse is a new twist on Aesop’s Fables; and in Swimmy, a tiny, insignificant fish in the vast ocean is ingenious enough to stand up for his rights. Although he had five languages at his command, Lionni chose to tell his stories with few words, but with pictures of international meaning.
 

For the  Museum's Teacher Information Packet Click Here
If you would like a copy of the Brochure Click Here
If you would like a copy of the Lionni  Post Card Click Here

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Narrative Paintings from India
September 21, 2003 - January 4, 2004
Opening Reception
with traditional music, dance, and food:
Sunday, September 21, 2:00 - 4:00 p.m.
Curator’s Talk
September 21, 2:30 p.m.

The CAM Folk Art Program’s fall exhibition presents the long history and on-going evolution of traditional paintings from three regions of India: Mithila, from an ancient cultural region in northern Bihar, patas from Bengal, and pars from Rajasthan. Curated by Dr. Susan Snow Wadley, Ford Maxwell Professor of South Asian Studies at Syracuse University, the CAM exhibition draws on research completed for Beneath the Banyan Tree: Ritual, Remembrance, and Storytelling in Performed Indian Folk Arts, which debuted at Syracuse University’s Lowe Gallery in fall 2002.

Historically, Mithila paintings have been made by women and are inspired by Hindu mythology. The paintings serve to consecrate and protect the home, and are frequently a part of life cycle and festival celebrations. Patas, painted scrolls, were traditionally created by professional, male storytellers to enhance the performance of epic tales. Today, patas are also made by women, and often document contemporary historical events and help to raise awareness of social issues like the
spread of  HIV/AIDS. Pars are large scrolls, up to thirty-five feet long, produced by a lineage of painters for itinerate singer-storytellers called bhopa. Pars depict the epics of Devanarayan and Pabuji, folk heroes worshiped in the desert region of Rajasthan. During pars performances, the scrolls are fully unrolled and set up as temporary shrines to the gods.

Narrative Paintings from India will be complemented by a variety of special programs developed by Kate Koperski, the CAM’s Curator of Folk Arts, in partnership with the Niagara region’s Indian community.

he Pictures below are from the CAM exhibition

 

New and Old: Recent Acquisitions and Related Works from the Permanent Collection
October 3, 2003 - January 26, 2004

The Castellani regularly displays large bold examples from its permanent collection
between major shows in its large central gallery. This time we have juxtaposed
works by Charles Clough, Friedel Dzubas, Larry Poons, among others, with newly
acquired art over the last five years, including Robert Goodnough’s NB4, Arnold
Mesches’s Swimmer, Theodore Stamos’s Infinity Field, Andy Warhol’s Jacqueline
Kennedy III , and two recent photographs by John Coplans.

                 

 

Lionni’s Influences: Albers, Calder, Chagall,Ernst, Kandinsky, Miro, Modigliani & Picasso
November 7, 2003 - February 15, 2004

In conjunction with our major exhibition of Leo Lionni’s original illustrations from his many picture books for children, an opportunity arose to show work from the collection by artists who influenced his output. Lionni’s childhood was filled with avant-garde imagery, thanks to his relatives in Brussels.His aunt Mies married the noted art critic René Gaffé, who collected DeChirico, Miro, Modigliani, Max Ernst, and six of Picasso’s Cubist works. His Uncle Willem’s collection covered the full range of Modernist painting and included Chagall, Klee, Kokoschka, Kandinsky, and Mondrian. Once in America, he met such noted artists as Jacob Lawrence, Alexander Calder, and Cleve Gray. The Castellani is proud to display works in the collection by these well known names.

Niagara County-Wide
School Show

June 15 - July 15, 2004
Opening reception
Friday, June 18, 5:00 - 7:00 p.m.

This year the Castellani invited art teachers all over the county to submit the most creative work done by their students during the school year. We hope for a wide response in order to make this exhibition an annual event. A special guest will announce the awards.

Niagara University
Students’ Art Exhibition

May 13 - 23, 2004
Opening reception

Friday, May 14, 4:00 - 6:00 p.m.

Come see the best art produced by NU students this year! We will display a selection of work from the classes held at the museum - in paper making, drawing, paintings, women's studies, and theatre set design.

 

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