Impressions

Prints of Niagara Falls
1861 to 1870

[ 1851 to 1860 | Index | 1871 to 1880 ]



351. Ferdinand Richardt. "The Great International Railway Suspension Bridge Over The Niagara River, Connecting The New York Central And The Great Western Of Canada Railways." From The Illustrated London News. London: January 18, 1862. Double page illustration: 13 5/8 x 20 1/4. Wood engraving.


352. "Monteagle House Hotel, Niagara Falls." From The Illustrated London News. London, August 22, 1863. Half page illustration: 6 3/4 x 9 3/8. Wood engraving.


Prints in Falls of Niagara And The Vicinity (cover) or The Falls Of Niagara: Being A Complete Guide... (Title page) London, Edinburg, & New York: T. Nelson & Sons and Toronto: James Campbell, 1865. 12mo. souvenir viewbook. With 12 woodengravings printed in three colors. Ca. 3 x 4 3/4. Adamson2: 191; Cf. Dow: 915; cf. Seibel1: 66ff..

These prints are essentially the same as those in the 1858 edition [313-324], though this edition lacks the map. There are, however, a few small differences. For all the prints in the 1858 edition, the images have angled corners; in this 1865 edition, the images have square corners. The print entitled [320] "Niagara Suspension Bridge" in the 1858 edition, has the title, "Niagara Cast Iron Bridge," in this edition. "Niagara In Winter From Canada Side" does not include the attribution to W. Friend, which appears on the print from 1858 [324].


Prints from a "Gems of Art" series. Boston: J.H. Bufford & Sons, 1865-66. Tinted lithographs. Seibel1: 12.

The dates are based on the years J.H. Bufford worked with his sons. (Cf: Sally Pierce & Catharina Slautterback, Boston Lithography. 1825-1880. Boston, 1991, p. 130.)


367. [The International Hotel shown in front of Niagara Falls.] Music sheet cover illustration for "Drawing Room Galop." Buffalo: J.R. Blodgett, ca. 1865. 12 1/2 x 9 1/2. Tinted lithograph.

A music sheet cover illustrating the International Hotel, a large hostelry on the American side.


368. T.R. Davis. "The Ice Bridge Over Niagara-Sweeny's Skirmishers (Duck-Hunters) On The Ice.-[Sketched by T.R. Davis.]" From Harper's Weekly. New York: March 31, 1866. Half page illustraton: 6 x 9 1/4. Wood engraving.


369. F.L. Blake. "Frank Leutze And Mr. Cooper Carried Over Niagara Falls, September 12, 1866.-[Sketched by Mr. F.L. Blake.]" From Harper's Weekly. New York: September 29, 1866. Half page illustration: 6 1/2 x 9. Wood engraving. DeVolpi: 80; Seibel1: 10.


370. After a photograph by Rockwood & Co. "The International Suspension Bridge, Two Miles Below Niagara Falls.-Photographed by Rockwood & Co. 839 Broadway, New York." From Harper's Weekly. New York: November 10, 1866. Half page illustration: 6 1/2 x 9 1/4. Wood engraving.


371. C. Baker. [Niagara Falls]. New York: Edward Sintzenich, 1866. 14 3/4 x 25 7/8. Chromolithograph by P.S. Duval, Son & Co.. Seibel1: 31.

A beautifully produced chromolithograph made by the leading Philadelphia lithographic firm of P.S. Duval, Son & Co..


Prints by Jules Noel. From Jean Pierre Oscar Comettant's Voyage Pittoresque et Anecdotique Dans le Nord et le Sud Des Etats-Unis D'Amerique. Paris: A. Laplace, 1866. Printed by Ch. Chardon. Steel engravings by Outhwaite. Hand color. Dow: 915; Seibel1: 68.

An interesting pair of engravings from a French topographical volume.


374. George W. Porter. "The Heroes' Memorial. A memorial to perpetuate the remembrance of the heroes of the Empire State, who fell fighting for the Union, or died in rebel prisons, in military hospitals or at their homes, in the Years 1861, '62, '63, '64, '65." Buffalo: G.W. Porter, 1866. 17 x 15 1/8. Lithograph by Clay, Cosack & Co., Buffalo. Adamson2: 175; Seibel1: 18.

A certificate used to raise money for a memorial in honor of Union casualties from New York State in the Civil War. The monument, pictured to be a huge obelisk, is shown on the edge of the American Falls. The setting of the monument is inaccurate, no such place existing as shown, but the image of the Falls itself is quite accurate.


375. William James Bennett. "Niagara Falls from the Table Rock." New York: George E. Perine, 1867. 16 1/8 x 23 1/4. Aquatint by W.J. Bennett. Hand color. Deák2: 369; Fielding: 144; McKinsey: 68; Seibel1: 7.

A fifth print of Niagara by Bennett. This is a reprint of a plate which was first printed by Bennett himself in 1840. An example of the first edition is located in the Buffalo & Erie County Public Library.


376. Thomas Nast. "The Political Niagara-`A Drowning Man Catches At A Straw.'" From Harper's Weekly. New York: June 27, 1868. Cover illustration: 9 1/8 x 8 7/8. Wood engraving.

This print shows a figure representing the Democratic Party about to plunge over the brink of the falls, at the last moment grasping a cane--with the head of an African-America--held out to it by Samuel P. Chase. This is an interesting use of Niagara in a political cartoon.


377. "Puente colgante en el Niagara." 1868? 4 3/8 x 6 3/8. Wood engraving. Hand color.


Prints in Falls Of Niagara And The Vicinity (cover) or The Falls Of Niagara: Being A Complete Guide... (title page). New York: T. Nelson & Sons and Toronto: James Campbell & Son, ca. 1868. 12mo. souvenir viewbook. With 11 woodengravings printed in three colors. Ca. 3 x 4 3/4. Cf. Seibel1: 66ff..

A later edition of the 1865 Nelson souvenir guide [353-364]. The views are the same as those in that edition though with slightly larger margins. This edition may have had twelve prints, with this example missing either a view of "Table Rock," or a title page view that appears in the variant state below. The date comes from a citation in the text.


Prints in Falls Of Niagara And The Vicinity (cover) or The Falls Of Niagara: Being A Complete Guide... (title page). Cover states: London, Edinburgh & New York, and title page states: New York: T. Nelson & Sons and Toronto: James Campbell & Son., ca.1868. 12mo. souvenir viewbook. With 11 of 12 prints; lithographs printed in four colors. Ca. 3 x 4 3/4. Cf. Seibel1: 66ff..

A variant version of the 1868 edition above. The text is identical but the views in this version are chromolithographs, cited on the cover as, "Oil Coloured Views." These appear to be lithographic transfers from the woodengraved views of the other editions. The views include a green tint that does not appear in other editions. The images of this edition are the same as in earlier editions, though a new title page view is added. The date comes from a citation in the text.


401. After photograph by Charles Bierstadt. "New Suspension Bridge, Niagara Falls-From The Canada Side." From Harper's Weekly. New York: July 31, 1869. Half page illustration: 6 x 9 1/8. Wood engraving.


402. After photographs by Charles Bierstadt. Views About Niagara. New York: C. Bierstadt, 1869. 16 circular, tinted lithographs attached in a strip and folded into a stamped brass medallion. Each ca. 1 3/4 diameter. Adamson2: 33.

A charming souvenir medallion which when opened reveals an accordion-folded series of round lithographs showing scenes based on photographs by Charles Bierstadt. On one side of the medallion is stamped "Niagara" and on the other is the American crest with shield and eagle.


403. William Momberger. "Niagara Falls. From the Original Drawing in the possession of the Publishers." New York: William Pate & Co., 1869. From Gallery of Landscape Painters-American Scenery. New York: G.P. Putnam & Sons, 1872. Ca. 9 x 13 1/2. Steel engraving by Robert Hinshelwood.

The process of steel engraving first made its impact with the small, octavo topographical engravings that appeared in such works as Willis' American Scenery and Hinton's History and Topography, both issued in the first half of the nineteenth century. By the second half of the century, some publishers used this medium to produce more elaborate topographical prints, and amongst the best series of this sort was William Pate's American Scenery. This large portfolio contained small folio sized steel engravings by Robert Hinshelwood after the paintings of a number of famous American landscape artists.


403ad. "Painted by Brochard." "'At The Falls.'" From Paterson's Magazine, 1869. 6 1/8 x 4 1/8. "Engraved & Painted by Illman Brothers."

A charming illustration of two young ladies sitting just north of Table Rock. The depiction of the falls is somewhat distorted, but this is an interesting use of Niagara as a background for a fashion plate.


404. "Niagara Falls." Buffalo: Crawford & Parsons, 1870. 15 1/4 x 23 1/2. Chromolithograph with hand highlighting by Sage, Sons & Co., Buffalo. Seibel1: 77.

A fairly detailed chromolithograph which clearly depicts the spiral staircase on Goat Island and the Incline Railroad at Prospect Point.


404ad. "Doing Niagara." From Every Saturday: An Illustrated Journal of Choice Reading. Boston: Fields, Osgood & Co., August 20, 1870. 4 1/8 x 4 1/4. Wood-engraving by A.B.H.

A small illustration on the classified pages. Shows two tourists, in rain gear, under the falls, probably in the Cave of The Winds.


405. "Niagara Falls." Buffalo & Chicago: White & Brayley, ca. 1870. 14 1/4 x 23 1/4. Chromolithograph. Seibel1: 102.

This print is very similar to the Crawford & Parsons print above. The composition and content make it clear that one was copied from the other. There are a few changes to the Incline Railroad which indicate that this print was printed later than the Crawford & Parsons print. The Incline Railroad was crushed regularly by falling stones and so changes often were made in its appearance.


405ad. [Horseshoe Falls from near the Biddle Staircase.] Prob. ca. 1870, but before 1873. 14 x 18. Chromolithograph. Seibel: 102.

An untitled and unattributed print showing the Horseshoe Falls and the top of the Biddle Staircase. One of the three figures in the foreground is drawn quite out of scale. The ante quo date is established by the appearance of the Terrapin Tower.



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Impressions of Niagara

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